Reviews

my goat

Dares to ask the question: “What if one of those late era forever delayed legacy albums was actually really good?”

Early on my thought process was that I was really enjoying it, but if it was gonna keep doing the big atmospheric instrumental intros, I was gonna end up bored. It kept doing those. I did not get bored in the slightest.

Jeff Parker 的专辑《The New Breed》于2016年6月24日由International Anthem Recording Company发行。专辑名《The New Breed》源自帕克已故父亲 Ernie Parker 在20世纪70年代经营的一家男装店的名字。 封面也采用了父亲和一位朋友的合影，一张怀旧的老照片。

整张专辑充满了个人色彩，融合了爵士、嘻哈和即兴的元素。

其中感兴趣的有三首：

1. Visions：这首是对Bobby Hutcherson 作品的致敬。

2. Jrifted：采样了 Aretha Franklin 1972年的歌曲《Day Dreaming》，原始人声与吉他和即兴相结合。

3. Cliché：专辑的闭幕曲，由 Parker 的女儿 Ruby Parker 演唱，融合了嘻哈、灵魂和爵士。这首是在去听 Sleeping Dogs 的现场听到的，他们的新 Ep 也与这首曲同名。

amb el singles que han anat trient ja esperàvem un treball notable, però una vegada escoltat el conjunt hi ha de cada joia que millora el resultat. igual en moments no té clar cap a on vol anar, però continua sent un dels millors àlbums de l'any

即兴、融合、放克、迷幻

《Freakadelic》在放慢节奏下互动，

《Late Autumn》有一种印象派的氛围。

《Easy Way Out》反复渐进变化

《Chrome Dome》以迷幻与dub融合收尾

the best shoegaze record ever, not hearing dissenting opinions

The best yet from long-time internet pal Kevin Fanning’s latest musical project. This is ambient music that seeks to “explore the idea of haunted HVAC” and “a vibe I kept calling ‘tuned municipal building.’”

Lovely fuzzy repeating guitar figures and washed-out synth pads, all creeping and/or drifting and/or humming, just enough textural and melodic tension to work as well during the day as it does at night. My favorite track is ‘intuition module,’ with a chord progression that sounds somehow both hopeful and foreboding. The closing track is beautiful as well.

You can certainly hear the likes of Grouper, Cliffdiver (the Austin ambient musician, not the punk band), Jefre Cantu-Ledesma, or Basinski in this, but think this… More

insane record. intro synth on "white ferrari" is still one of the most beautiful sounds i've ever heard.

Easily SOAD's best work, blending intense instrumentation with sadly still relevant political messaging.

<Add to later>

Why hasn't anybody told me about this band before? You're all bastards.

;) <3

清水靖晃（Yasuaki Shimizu）于1983年在 Better Days厂牌发行专辑《北京の秋》（L’Automne à Pékin）。在专辑中清水靖晃重新演绎了30至40年代的经典爵士标准曲目。

专辑共收录八首曲目，包括《Just One of Those Things》、《Night and Day》、《I’m a Fool to Want You》等。以独特的编曲和丰富的管弦乐伴奏，对经典做出了新的诠释。

专辑的最后一首曲目《Everything Happens to Me》特别值得关注。在这首曲子中，坂本龙一担任钢琴演奏。坂本的爵士钢琴与清水的萨克斯完美融合，深情且动人。

THANK U CHUU!!!!!!!

yes

El día que me descubrieron esto fue de manera accidentada. Podía haber pasado otros 3 o 4 años más sin enterarme de la existencia de este ente/ser humano/el/ella/elle (según contactos, charletas con frikis like me, investigaciones y demás lecturas es un señor de Hannover, profesor de musica en una escuela infantil, que ha sido padre hace no mucho de un bebe que según parece es lo que le ha retirado, espero que temporalmente de la producción de música).
El caso es que no, dio la casualidad que me quite los cascos en una de las tiendas de discos en las que compro en Madrid y escuche el “Deep In Your Heart” de PMOD. En ese momento… More

8 temas, los 8 valen...
El disco perfecto para un DJ de Vinicles, cero plastico residual.
Se ha hecho un Huerco en mi maleta.
Si te gusta el rollito DUB, DEEP compratelo MENDRUGO! ;)

DJ Sabrina's music gives me the satisfaction of what I imagine aliens feel when they hear CVS Bangers for the first time

What a brilliant little spaced out album this is. Expect bells, country-ish out-there guitar, taped bits of spoken word from another galaxy, kids garbles...

Imagine William Burroughs hanging out with Sly Stone on ketamine. This is everything Primal Scream wanted to be on Give Out But Don't Give Up, sans beats and any kind of sellable rhythms. Expect very few vocals. This is some experimental good shit. Feels more country than country, in a way.

Still my favorite covers LP ever, and a perfect application of Aphex Twin's energy. I had always hoped that he would naturally have migrated into orchestral compositions on his own by now (in a Trent Reznor kind of way)

He seemed so from-the-future that I'd hoped he was actually traveling backwards through time through music, and by the time I retired he'd be making tribal music with drums and woodwinds

In my twilight years, I'd be listening to his final album, where it was just rocks rhythmically banging into each other

Mucho más ambicioso que Sad Wings of Destiny y algo menos interesante en su propuesta, que se torna vulgar y esperable.
No obstante, la influencia que ejerce este disco es impresionante y se sentirá en muchos de los grandes grupos de finales de os 80 y los 90.
Desde Smashing Pumpkins, pasando por todo el gran grunge, hasta Pantera y el Nu Metal, este disco es uno de los grandes cimientos de muchas de las cosas que me gustan y eso, es innegable desde el minuto uno.
Solo por poner el apunte, este disco también es uno de los grandes referentes de unos Exremoduro que beben, claramente, de la concepción ultra exagerada y sobre actuada de estos Judas. Supongo que… More

Jamás me hubiese imaginado que aquí se escondía un estupendo disco de Hard Rock, tan disfruton, como interesante.
Es como si alguien quisiera esculpir la cara de Eddie en el fango de Black Sabbath y, por el camino, terminase sentando los cimientos de la New Wave of British Metal.
De verdad, me ha gustado muchísimo y me ha ayudado a entender un poco de donde salen algunos de los mejores discos de los 80.

Los grandes grupos, tienen la mala suerte de ser difíciles de aprehender y Mudhoney es un claro ejemplo de esto. Ellos, siempre haciendo sus cosas y el publico no entendiendo nada, la mayoria de las veces.
Siendo justos, Since We've Become Translucent es el resultado de toda una evolución personal y un tremendo refinamiento de un sonido cuya genealogía se perdió con el ariete que fue Nevermind.
Hoy, cuando hablamos de Grunge, nos referimos a ese conjunto de bandas que hacen un Hard Rock menos machista y testosteronico. Más oscuro en definitiva. Así, Pearl Jam, Alice in Chains o la época más famosa de Soundgarden, transforman ese sonido primigenio añadiendo otros referentes. Aunque Black Sabbath siempre fuese el hilo conductor,… More

适合睡前读书听👂

这个阵容太意外了，喜欢这种化学反应

La bajona nos llega a todos. Se confirma una vez más que todo el que se acerca a Drake acaba contagiándose de tanta asepsia e ineficacia.

Lo más AOR contagia la idea de Beyoncé, que pensaba salir de aquí como Esperanza Aguirre en la viñeta del barro pero que acaba manchada hasta las trancas.

Su peor disco, con diferencia.

they have girl talk on here?

revisting this record - its kind of insane how this album has the flow of the most coked up DJ in 2010... the way the songs just flow in and out of each other feel like im listening to a direct to recording jam/mix someone made for them and their friends to go pack a bowl and play some halo to... good vibes

Gambas al CARTON!

Bañate en ACID amic!

Love when an album comes along in December and fucks up everyone's Worst Album Cover of the Year lists.

Jokes aside, this is really good. Excited about a (potential) new Geese album next year.

This is an unexpectedly good soundtrack. Don't get me wrong, I really dig Colin Stetson's music, but I think he's been a bit hit-and-miss in soundtracks before. This album is, in my opinion, pretty good throughout.

Any composer who uses plucky violin strings without sounding like a farcical reality-show-cum-Hannah-Barbera series is a winner in my eyes.

The flutes and horns reminded me a bit of Michael Nyman's work; I need to listen to McQueen right now.

Sooo much potential here as Ireland’s new darlings, even earning a Grian Chatten feature as Fontaines reaches superstardom. I’m not sure if some songs just fall flat or the album never truly gets going because of the frequent interludes, but definitely keeping a close eye on future releases.

I get what they're trying to do with this record and I feel like it doesn't land like they hoped. The Sean Paul cover is fun, but nothing that fantastic, which is too bad because the singles for this record were so great.

By far the best Swedish album 2024.

Every time i get through this album/EP, I find new sounds, new rhythms, new melodies. It’s a bewildering piece of experimental techno in a good way.

Another solid release from Freddie. This record seemed to be just for fun, with him returning to older form and giving us just raps, very few choruses. The beats are crisp and his pen game is still as strong as ever, even if none of the tracks absolutely blow you away like on his collaborative releases with Alchemist and Madlib.

Long after capitalism has crumbled and our consumerist Christmas holiday has been replaced by the sound of a billion people pleading for food and clean water..... this album will still bang.

This album crept into my arms and gave me a big hug.

building on the "hyperpop" trends of the last couple years and incorporating elements such as trip hop, dream pop, and bedroom pop, neggy gemmy paints a picture of euphoric party dance floors and nostalgic night time drives.

also has a very tasteful frost children feature

FFO: yuele, CFCF

BOCmetadona para yonkis!
Las cabras, las cabras,
las pu*as de las cabras,
la madre que las parió,
yo queria un disco nuevo de BOC
y la cabra me salvo!

What an interesting album; started all 1990s-type distorted-guitar rock, then turned Slowdive toward the end.