Reviews

Favs: So Blue, Daydream Repeat

Favs: Perdiste, ¿Cómo Así?

Impresiona que funcione

Me esperaba que el disco fuese una castaña de proporciones gargantuescas y no lo es.

Nos pone frente a un momento en el que Cash estaba preparando su vuelta, justo antes de fichar con Rubin y da buena cuenta de aquel del nivel en el que estaba en ese lejano 1993.

Sin embargo, si no se publicó fue por algo. Los arreglos, y la producción en general, se siente ortopedico y algo fuera de lugar, haciendo del disco una experiencia nada atractiva. Una pena.

Creo que deberian penar este tipo de ejercicios.

Un disco majisimo.
Buenos pasajes de guitarra, buen equilibrio entre todo lo que mueve, una enorme variedad de estilos y un concepto bastante claro: Make Redd Kross Great Again.
Parece que los McDonald se han puesto ambiciosos.

Le pesa un poco la producción de Klinghoffer, que es demasiado largo y la cuestionable decision de hacer versiones de si mismos.

Yo, que soy bastante fan, lo estoy gozando.

Decemberists have never been for me. Still ain’t.

Para sinestesias, la que me produce “Milk” cada vez que la escucho. Huelo la tierra a medida que me hundo.

Disfruto mucho la electrónica que se construye añadiendo lentamente capas sobre capas y ritmos sobre ritmos sobre bucles mareantes y Singularity da exactamente eso.

Además, la textura de los sonidos de su primera mitad tiene algo que me recuerda a escarbar en la tierra compulsivamente, curiosa asociación.

Very fun album to commit vandalism to, do wish they had heavier tracks on the record though. Doesn't quite get across the energy and intensity of their live shows. Standout track: Cerdo

Dude I didn’t think this album would get any better for me but it somehow has. This thing is a modern indie rock classic in my eyes and I think it’s growing more and more into my favorite vampire weekend album. There’s so many fresh ideas on this record that gives the band new life and is totally different from anything they’ve done. Some of their weirdest and daring ideas are on here and they pay off in flying colors. Seriously an incredible album.

Favorite tracks: Ice Cream Piano, Classical, Capricorn, Connect, Prep School Gangsters, Gen-X Cops, Mary Boone, Hope

Combining all the things I loved about King of Limbs era Radiohead as well as A Moon Shaped Pool ambient soundscapes means you’re in for a soul crushing experimental ambient pop masterclass. While there was some points where I didn’t connect with some of the songs as others. This is a great album and I think it’s an important one in the grand scheme of Radiohead and Thom Yorke’s legacy in general.

Favorite tracks: Twist, Dawn Chorus, I Am a Very Rude Person, The Axe

Quarters of Change, the New York City quartet comprising Ben Acker, Attila Anrather, Jasper Harris, and Ben Roter, unleashes their lastest rock album "Portraits." Blending nineties-style alternative hooks, crunchy space rock soundscapes, and seventies grooves, the band has earned millions of streams, sold-out shows, and critical acclaim. Following successful EPs and the full-length debut "Into The Rift" in 2022, Quarters of Change gained notable fans like Joe Jonas and Lewis Capaldi. Now, with the release of "Portraits," Quarters of Change continues their momentum, amplifying energy and distortion, establishing themselves as a phenomenon in the alternative music scene. Would recommend to anyone who enjoys anthem oriented rock from ages past, with a modern update in content and style.

YĪN YĪN's third album, Mount Matsu, marks a captivating evolution for the Dutch quartet. Recorded collectively in their Belgian studio, the album transcends genres, blending influences from Khruangbin to Kraftwerk, surf music to Southeast Asian psychedelia. The lineup change fosters a more democratic creative process, resulting in a sonic kaleidoscope that goes beyond their earlier works. The instrumental tracks, rooted in Southeast Asian psychedelia and funk, showcase the band's willingness to experiment. From off-kilter disco tunes to neo-surf rock anthems and laid-back jams, Mount Matsu is an eclectic journey. The album seamlessly balances dancefloor energy with dulcet tones, making it a mature and adventurous project that I enjoyed multiple times over.

Renowned for the breakout success of singles 'green eyes' and 'waste your time,' Summer Pearl makes a triumphant return with her debut mixtape, outmysystem. Infused with echoes of generational talents like Lauryn Hill but featuring a fresh UK twist, the mixtape beautifully showcases the full spectrum of Summer's talent—soulful and gritty, nostalgic and forward-looking, melancholic and uplifting. Seamlessly blending influences from Soul, Dub, Reggae, Hip-Hop, and Jazz, Summer crafts a distinct and refreshing sound, defining a deeply personal and heartfelt mixtape. This project, a collection of songs spanning three years, reflects on personal growth and a slew of personal experiences.

Minneapolis-based artist Mike Kota unveils her debut EP, Turning a Corner, infused with uplifting words of wisdom centered around love, progress, and gratitude. Characterized by bold and soulful vocals complemented by resonant guitar riffs, the EP takes listeners on a visceral journey of emotional catharsis. The raw intensity of the sound, coupled with Kota's tear-inducing vocal delivery, makes it effortless to immerse oneself in the emotional depth of the music. Can't wait to hear more from Mike Kota.

Embark on a fuzzy daydream with Saya Gray's EP, QWERTY, where glitched singer-songwriter experiments come alive. The EP unfolds like a mesmerizing tapestry, weaving distant piano melodies, bold drum breaks, and vocals adorned with captivating filters. Amidst the diverse sounds and asymmetric song structures, discover an unexplained joy in surrendering to the ebb and flow from one track to another, creating a uniquely satisfying musical journey. Within a world of infinite content feeds and instant connection, QWERTY stands out as a captivating escape.

Netherlands-based artist Cero Ismael returns with his latest EP, Eureka. The release showcases a distinctive R&B-infused sound, weaving a tapestry of emotive spaces with Ismael’s beautiful vocal melodies and thoughtful instrumentation. "Eureka" marks a notable shift towards heightened production quality, diverging from the rap-centric style that characterized Cero's previous work, such as the sound found in Blue Man (2021). This project not only captivates with its soulful vibes but also demonstrates Ismael’s evolution and versatility in exploring new sonic territories.

redveil, also known as Marcus Morton, showcases his impressive talent as both a producer and artist in his entirely self-produced album learn 2 swim. This passionate and inspiring record features bright, soulful samples and an emotionally charged flow with captivating hooks. Drawing heavily from jazz, funk, and soul, redveil's instrumentation creates a sunny and positive vibe while delving into complex themes. Standout tracks like "pg baby" and "morphine" boast hooks that are simply irresistible. If you enjoy this album, be sure to explore his other two self-produced full-length albums, Niagara and Bittersweet Cry.

Kenny Mason's album 6 is just one of the many unique genre-bending projects in his rapidly growing discography. His distinctive sound blends grunge rock, hip-hop, and shoegaze in a way that illicits punk from the early 2000s. To put it simply, Kenny Mason's sound and flow are truly unique in the rap world. Despite receiving acclaim and recognition within the scene for Angelic Hoodrat (2019), I believe Kenny Mason remains a hidden gem in the broader rap landscape. If you're seeking a refreshing change of pace in your rap rotation, do yourself a favor and give Kenny Mason a listen.

I appreciated how the lyrics were more prominent in the mix and how the tone was crunchier and generally more aggressive compared to their previous records, which had a more laid-back and positive vibe. This new, more intense tone and momentum align well with the album's title, "Frog in Boiling Water," which I found fitting. Overall, it’s a solid project. At its worst, it's slightly above average shoe gaze, and at its best, it’s texturally intriguing shoe gaze with bursts of straightforward alternative rock, featuring clear, distinct vocals and melodies.

El síndrome del segundo disco, que tras el hype del primero, no desalentó al grupo valenciano. Muchos de los ingredientes del primer album siguen aquí, ampliando la paleta musical con mas sintes y composiciones menos oscuras.

Pero como todo en Valencia, la presencia de Antiguo Régimen fue efímera. Tras el album y una pequeña lista de conciertos, el grupo se tomó un hiato que se rompió en 2023 con anuncios de reunión que casi un año después no se han concretado.

Podíamos pensar que en 2015, con el progresismo gobernando en Valencia, la nueva ola musical local se asentaría, pero nada mas lejos de la realidad. Solo los grupos con letras en valenciano o afines a los partidos regionalistas tuvieron… More

Los 20 años de la derecha en Valencia fueron muy oscuros para la cultura, pero el cambio estaba cerca. Con ese caldo de cultivo surge un movimiento musical valenciano (no reconocido) basado en la autogestion, los sellos locales y una gran reminiscencia a la musica de baile de la valencia de los 80 (oscura y vanguardista).

La tienda Flexidiscos en Ruzafa, los sellos Conjunto Vacío y Burka for Everybody con sus festis, la sala la Residencia en La Punta, entre otros, fueron representantes de la vuelta a la vida de la musica valenciana, con Antiguo Régimen como pioneros.

Sí, post punk revival, pero con letras ácidas, un toque local y el talento de Julio Tornero, a la composición y a… More

“Anoche escupí Azul” fue el “La Vida Cañón” de hace 10 años, pero mejor.

Me encantan los discos aburridos ♥️

la col·lecció de cançons més redona de conor

Oh señoras de avanzada edad
cuánto os queda por sufrir?
entre estas casas de cemento
cuándo os vais a morir?

Oh señoras de avanzada edad
caminando solas por la calle
sin futuro ni presente
solo os queda recordar

Cuánto tiempo quedara hasta el final de nuestras vidas?
Cuántos pensamientos quedaron atrás?

1983. Imaginad a varios tipos vestidos de nazarenos sobre la tarima de un escenario en las fiestas de verano de un pueblo de Castellón, recitando estrofas como las que inician este escrito. La cara de estupefacción de los parroquianos -nunca mejor dicho- de Burriana (sí, esa localidad que hoy acoge el festival Arenal Sound, como hemos cambiado…) os la podéis imaginar, también. 

Funeraria Vergara fue la efímera formación (1982-1984)… More

Cielo rojo, estrellas, no hay luces en el callejón.
Gatos muertos, puertas, vértigo en la oscuridad.
Rabia en las miradas, no hay tiempo para pensar
Golpes secos, sangre, vuestra ley es desigual.

Esta sucesión dadaísta de fraseos solo podía estar firmada por el dúo Manolo García-Quimi Portet. Antes de triunfar ante crítica y público, con El Último de la Fila, los dos músicos catalanes se hicieron un pequeño hueco en la escena pop nacional con este Rebuznos de Amor, dentro de la formación Los Burros.

Previamente, en 1981, Manolo García había participado en los nada desdeñables Los Rápidos. Un grupo de pop-rock más clásico, junto a Antonio Fidel y José Luís Pérez, que a la postre serían músicos… More

Han tejido ideas que entrecruzan,
los proyectos que no alcanzarán.
Si su vida se basa en la desgracia,
el futuro es una maldición.

Vagarán con el dolor,
vagarán con el dolor.

Nunca antes en la música española se había plasmado el desasosiego vital con la crudeza y la densidad de las letras de Carlos Entrena. Su oscuridad, deudora del After-Punk, la onda siniestra del Manchester de 1979 con Joy Division, Bauhaus o Killing Joke, se trasladó a Madrid en 1981, con Décima Víctima como máximo exponente.

En 1981 se disolvía el otro grupo seminal por excelencia de La Movida (Junto a Kaka de Luxe), Ejecutivos Agresivos. Por aquel entonces, el grupo lo formaban, nada más y nada menos que… More

La sala se llenó
Por ver tu última actuación;
Es una historia más,
Tan sólo cambia el final
Te pierdes de verdad
y nadie te va a encontrar.
Muñeco de ficción,
Entraste en la oscuridad
Nadie te va encontrar,
En la oscuridad
Nadie te encontrará,
En penumbra,
Serás un mito más

En penumbra, en la más profunda oscuridad, se encontraba este mito del tecno-pop nacional. La era de internet nos ha permitido rescatar de las profundidades y encontrar esta joya oculta que pocos recordarán, a no ser que fueran aficionados ciclistas. ¿Y porqué aficionados ciclistas? Si Bíceps fueron algo conocidos, fue porque el single extraído del álbum, Muñeco de Ficción, se utilizó como sintonía de la Volta Ciclista a Catalunya… More

La decadencia de tu ciudad,
te ha destrozado y te vuelves a marchar.
Cuando regresas,
aun es peor,
todo ha cambiado y lo miras con temor.

La letra de Ya no vas a regresar bien podría pasar como una profecía de lo que fue Valencia en la ultima década de gobiernos del PP. Ya no quedaba nada de aquella revolución musical que juntó en las salas de baile al Synth Pop, la música siniestra y los nuevos románticos. De un estilo musical con preponderancia de la electrónica, a los prejuicios de una imagen de juerga, drogas y Chimo Bayo. De conciertos como el de los Killing Joke en Barraca o Kraftwerk en Arena. De grupos como Glamour, Vídeo o Betty… More

Tu piel se fundió con mi piel
y Bryan Ferry dijo ok,

Desde sus inicios, Fernando Márquez «El Zurdo» siempre quiso ser Bryan Ferry. Pero llega 1982, y el que fuera integrante del grupo seminal de la Movida, Kaka de Luxe (1977), y su posterior ramificación, Paraíso (1980), se junta con con dos talentosos músicos como Mario Gil (Teclados) y Antonio Zancajo (Guitarra). Era el momento de sonar bien, de parecer un dandy, de que Bryan Ferry dijera ok.

Al margen del look del Zurdo, los Roxy Music serían una influencia tal, que su nombre y su protagonista aparecerían en la que es la canción mas recordada del grupo, Aquella Canción de Roxy. Pero no solo de su estética vive… More

amb una portada així que podria anar malament

This record is pushing all my buttons. 80s synth waves and catchy but not intrusive melodies and vocals. This has been spinning for the last weeks and will probably do for the rest of the year. It’s like Bullion made stock out of his Pop Not Slop playlist!

PS: The Dolby Atmos version on TiDAL sounds amazing!

What starts exciting with some new, more reduced and electric sounds, becomes more of the same. 100% Cornelius and nothing wrong with it. I’ll probably have to order another overpriced CD from Japan to add to my collection.

Ending with a Ryuichi Sakamoto cover version that is clearly a tribute but does not really add to the song, like he was able to cornelisize other popsongs before.

Parker Cannon sounds freed in No Pressure. Hence the band name. Although this TSSF album is solid, it's also a bit too solid. I bit too much formula going on here.

This has been the sound of our summer so far...

Azahar's second album is a nice example of Spanish rock with strong arabic roots of Andalusian rock. The first song, 'Expresso a Ketama', is a great and powerful start to the album, with nice guitar work that leads the song.

In 'La Naranja y el Limon' the Azahar musicians show us their virtuosity, especially on the bass line and on keyboards, with a distinctly arab atmosphere. However, the lead vocals are not as remarkable or melodic as Triana's famous voice Jesus de la Rosa.

'Noche de Primavera' tries to emulate the flamenco rhythms of early Triana, as in 'Zahira', especially in the synth and percussion. 'Bulerias de Lujo' follows with this percussion work that reminds me of 'Tele' Rodriguez's… More

This album is made for the dancefloor. Ready to get going for a night in the club or a day at a festival? Pump this album and you're ready. Though everytime the same tric is used (intro, buildup, drop, breakdown, drop, outro) it never gets really boring. Neither really outstanding.

"Cuentos de ayer y de hoy" is a great underground Spanish album from the 70s. Released in 1978, it seems like a Spanish version of the British supergroup UK (Wetton, Brufford, Jobson, Holdsworth). The use of violin in the first song 'Profecia' reminds me of Eddie Jobson's work in UK and early Roxy Music.

In just 6 songs we can hear the energetic and heartbreaking vocals of Jose Carlos Molina, with 'Preparan' being the highlight. Also note the strong guitar work in the song 'El Juglar'.

However, there are not only British influences here. Molina's lead vocals are accompanied by some nice flute work, as if he were Ian Anderson (Jethro Tull). The duel of violin and flute in… More

Many people say that 'Tormato' is a bad album, a wall in YES career. Obviously this album is not a masterpiece in the YES discography, but an adaptation of the YES sound to the following 80s. Tormato is an irregular and inconsistent album, rather than a conceptual one. But the highlights overshadow the shadows.

With the two main singles "Don't Kill The Whale" and "Release, Release" YES were about to enter their arena rock era and Steve Howe was preparing for his Asia adventure. As usual in the YES discography, the production is terrible and Rick Wakeman's keyboards sound too shrill and circus-orientated ("Future Times/Rejoice" and "Circus of Heaven").

But the album saves the best material for the… More