Konstantin

I must admit, I cannot pinpoint the moment I first encountered Ane Brun’s music. This is unusual for me, as I usually remember how I discover such incredible artists. Perhaps it was through a TV show like Bones, Peaky Blinders, or Normal People—all of which I highly recommend—or through a film such as If I Stay (2014) or Becoming Astrid (2018). I’ve even wondered if it was introduced to me by a friend, but honestly, the memory escapes me.

Regardless of how it started, what I do know is this: Ane Brun’s voice is otherworldly, a rare instrument that carries emotion so deeply it can move you to tears. And Live at Berwaldhallen, recorded with… More

Franz Ferdinand’s latest album, The Human Fear, undeniably carries the hallmarks of their signature sound: Alex Kapranos’s distinctive vocals, tight riffs, and a confident art-rock attitude. Yet, for all its familiarity, the album feels largely inconsequential. While it’s not outright bad, it struggles to leave a lasting impression.

The opening track, Audacious, is perhaps the one true highlight. It’s bold, recognizable, and unmistakably Franz Ferdinand. But even here, the song stands out more for its title—how often do you hear the word “audacious”?—than for its musical ingenuity. After this strong start, the album begins to lose its footing. The songs that follow are competently executed, with polished production and clear effort, but they lack… More

I recently refound Half Drunk Under a Full Moon while searching for new LPs to add to my vinyl collection. Although I had already listened to it in 2022, it was the perfect moment to revisit. Funny enough, I was originally on the hunt for Costello Music, their debut album, which I’ve always loved and still enjoy. But stumbling upon this gem again was a great surprise.

Half Drunk Under a Full Moon is an album that simply gets better with every listen. The Fratellis deliver a mix of catchy melodies, soulful moments, and a polished sound that’s as fresh as it is nostalgic. The title track alone creates a cinematic vibe, while songs like “Need a Little… More

Costello Music by The Fratellis is an absolute gem of an album that continues to shine just as brightly as it did when it was first released. From the opening riffs of “Henrietta” to the iconic, rowdy sing-along anthem “Chelsea Dagger,” every track bursts with an energy and charm that’s impossible to ignore. It’s raw, it’s playful, and it’s packed with unforgettable hooks that stay with you for years. The album captures the spirit of a band having the time of their lives, and that energy is contagious. It’s the kind of record that grabs you on the first listen and doesn’t let go.

Even now, I can’t think of many debut albums… More

Depeche Mode have done it again. With Memento Mori, they deliver an album that is surprisingly strong and proves they’ve lost none of their brilliance over the years. It’s a mature work that feels incredibly cohesive and well-balanced – accessible, yes, but in the best way possible. There’s not a single misstep, nothing jarring or out of place, just music that captivates and resonates deeply.

This album carries a particular weight, as it’s the first release following the passing of founding member Andy Fletcher in 2022. His absence is profoundly felt, but Memento Mori is not a record of mourning; it’s a celebration of resilience and creativity, a tribute to a legacy that continues to thrive.… More

The soundtrack to Sofia Coppola’s Marie Antoinette is nothing short of spectacular. It opens with the vibrant “Hong Kong Garden” by Siouxsie and the Banshees, immediately setting the tone with post-punk brilliance. Bow Wow Wow follows close behind with “Aphrodisiac,” continuing the edgy, British 80s vibe that runs through much of the album.

What makes this soundtrack so remarkable is its sheer energy. Every single song feels alive, pulsing with a defiant spirit that perfectly complements Coppola’s bold reimagining of the French queen’s story. It doesn’t just underscore the film—it elevates it. Tracks like “Natural’s Not In It” by Gang of Four or “I Want Candy” by Bow Wow Wow blend effortlessly with the… More

Bow Wow Wow’s Girl Bites Dog: Your Compact Disc Pet is a lively and intriguing collection of tracks that captures the band’s unique blend of new wave and post-punk energy. With songs like “Louis Quatorze,” “Mile High Club,” and their take on “Fools Rush In,” the album exudes a playful irreverence that feels distinctly British and unmistakably 80s.

My introduction to Bow Wow Wow came through Sofia Coppola’s Marie Antoinette soundtrack, where their track fit perfectly into the film’s eclectic mix of modern and historical aesthetics. It’s a connection that gave me a new appreciation for their sound—and honestly, it’s a great movie I’ll happily revisit soon.

The album’s highlights lie… More

Fever Ray’s self-titled debut album from 2009 is a stunning work that solidifies its place as one of the most remarkable debut albums ever created. While it undeniably carries echoes of Karin Dreijer’s previous work with The Knife, this album begins to carve out a new, hauntingly personal sonic identity.

From the opening moments to tracks like “Triangle Walks,” the record immerses listeners in a rich, atmospheric landscape of dark, icy electronic beats and Dreijer’s unmistakable vocals. There’s a hypnotic intimacy to these songs, an emotional depth that feels simultaneously raw and otherworldly. It’s the kind of album that doesn’t just accompany your day—it transforms it.

The visual side of Fever Ray is… More

Billie Eilish’s WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? may have been released some years ago, but it remains a landmark debut and a brilliant statement of individuality. There’s something captivating about how this album balances eerie minimalism with rich, bass-heavy production—an atmosphere that feels both intimate and vast. It’s clear why Billie Eilish earned so much Attention for her art: unlike many “stars” I struggle to relate to, her music is inventive, raw, and speaks on its own terms.

The moment I revisited the album with my new SONOS subwoofer, I was stunned. Tracks like bury a friend or you should see me in a crown reveal an entirely new depth with proper… More

The National’s Rome is nothing short of a masterpiece. This album captures a haunting yet immersive atmosphere that draws you in right from the start. Listening to it, I couldn’t help but be reminded of a Massive Attack concert I attended in Italy some years ago—a night where the air felt heavy with emotion, and every note seemed to ripple through the crowd. The same gripping intensity can be found here, distilled into each song.

Matt Berninger’s voice is, as always, pure magic. It’s like the anchor to a stormy sea of instrumentation—steady, rich, and incredibly emotive. Nearly every track demands to be played at full volume, not just to hear but to feel… More

Today, after quite some time, I listened to Life by Boy George and Culture Club again, and it immediately captivated me. This album has a unique quality that’s hard to find—it feels distinct and incomparable. What stood out to me the most is the sense of maturity that runs through the entire production.

The songs are stylish, thoughtful, and authentic without trying to be overly youthful or trendy. It’s this balance that makes Life so successful. There’s no forced nostalgia, as can sometimes be the case with bands attempting to revive their past popularity. Instead, it feels timeless, as though Boy George and Culture Club have found their place in the present while staying true to… More

The Dø’s Live at l’Olympia, Paris is a dazzling experience that effortlessly captures the raw energy of this French-Finnish duo’s live performances. Honestly, I can’t recall how I stumbled upon this album—or them, for that matter—but it has completely hooked me. There’s an irresistible pull that keeps me coming back, track after track, like I’ve uncovered a secret treasure trove of creativity.

What makes this live recording so special is the undeniable electricity of the crowd paired with the duo’s dynamic artistry. Tracks like A Mess Like This / Omen and Miracles (Back in Time) shine with an emotional intensity that feels almost otherworldly, while Trustful Handscarries a hopeful, uplifting vibe… More

Michael Nyman’s soundtrack for The Piano is without a doubt one of the greatest soundtracks ever composed—and one that has been a part of my life for decades. Back in the late ’90s, I played it endlessly on cassette. It was my companion on many melancholic evenings during my youth, and even today, its emotional depth and timeless beauty continue to captivate me.

The soundtrack manages to create an incredible intensity with such minimalistic means. The melodies, carried by the iconic piano, exude a mix of melancholy, longing, and strength that touches you to your core. Pieces like The Heart Asks Pleasure First are so poignant they feel almost tangible—like music that speaks directly to your soul.… More

When I first encountered Woodkid’s music through his contribution to a movie soundtrack, I had no idea he was French. His sound felt universal, grandiose, and deeply cinematic, transcending borders or any sense of nationality. It wasn’t until I explored his debut album, The Golden Age, that I truly began to appreciate the genius behind his artistry.

And what a debut it is—absolutely stunning. From the opening notes, the album sweeps you into a lush, emotional journey. The orchestral arrangements are breathtaking, blending powerful brass, dramatic percussion, and tender strings with Woodkid’s deep, resonant voice. Tracks like Run Boy Run and Iron explode with intensity and urgency, while more intimate moments, such as I Love You… More

The Strokes’ Is This It is a debut that feels as fresh and electrifying today as it did when it first dropped in 2001. It’s not just an album; it’s a defining moment in indie rock history, capturing a raw, youthful energy that instantly pulls you in and doesn’t let go.

The opening track, “Is This It,” sets the perfect tone—a mesmerizing start with its laid-back groove and Julian Casablancas’ unforgettable vocals, which stay with you long after the song ends. From there, the album only gets better. “Someday” is a nostalgic anthem, effortlessly blending melancholy and hope. “Last Nite” is an instant classic with its infectious riffs and sing-along chorus. “Hard to Explain” layers emotion… More

Portishead’s Dummy is nothing short of a masterpiece and one of the strongest debuts in music history. Released in 1994, it helped define the trip-hop genre with its cinematic blend of moody beats, jazzy textures, and Beth Gibbons’ hauntingly beautiful voice. The album doesn’t just stand the test of time—it feels as vital and moving today as it did 30 years ago.

Of course, Dummy features the timeless classic “Glory Box,” a track so effortlessly captivating that it’s no wonder it became their signature song. Its sultry, blues-infused vibe still sends chills down the spine with every listen. But the album’s brilliance goes far beyond the hits. Tracks like “Strangers,” with its raw intensity, and… More

Portishead’s self-titled second album is a masterpiece that, for me, slightly edges out their acclaimed debut, Dummy. While Dummy introduced the world to their dark, cinematic trip-hop sound, Portishead feels more intense, experimental, and emotionally profound—a natural progression for a band willing to push their boundaries.

Tracks like “All Mine,” with its haunting orchestral arrangements, and “Humming,” with its creeping unease, showcase the band’s ability to create music that feels both timeless and otherworldly. “Over” is a highlight, drenched in longing, and “Only You” combines Beth Gibbons’ heart-wrenching vocals with atmospheric textures that linger long after the song ends. Every track is crafted with meticulous detail, immersing you in a rich, shadowy soundscape that reveals new layers… More

The Pigeon Detectives’ Wait for Me is a blast of pure indie rock energy that still holds up as one of the standout albums from the mid-2000s. Tracks like “Romantic Type” and “I Found Out” are undeniable bangers, packed with raw riffs, infectious choruses, and the youthful urgency that defined the era. It’s an album that demands to be played loud and, honestly, always puts me in a good mood.

Musically, the album flows seamlessly into its follow-up, with clear parallels in their no-nonsense, high-octane style. Both records feel like they’re cut from the same cloth, capturing a moment when indie rock was at its most vibrant and carefree.

As for the band’s work since 2008? Well,… More

Maxïmo Park’s The National Health is an album that kicks off with incredible energy and intention. The opening tracks, like the title track and “Hips and Lips,” burst with the urgency and sharpness we know and love from the band. They manage to channel a sense of chaos and commentary on the modern world while still keeping things irresistibly catchy. It’s the kind of start that makes you think, “This is why I keep coming back to Maxïmo Park.”

However, as the album progresses, it loses some of that spark. The later tracks, while still solid, don’t quite reach the heights of the first half. In a way, it feels like a metaphor for the band’s… More

Maxïmo Park’s Our Earthly Pleasures might not carry the same raw magic as their debut A Certain Trigger, but it’s an album I enjoy revisiting without feeling the need to nitpick. It’s clear the band approached this record with a sense of maturity, balancing their signature energy with more reflective, layered songwriting. Tracks like “Hips and Lips” and “The Undercurrents” reveal a thoughtful side while still delivering hooks that stick.

The album offers moments of introspection paired with the punchy, danceable beats I’ve come to expect from the band. While it’s hard to follow up such a monumental debut, Our Earthly Pleasures shows the band’s determination to evolve rather than rest on past achievements.… More

Maxïmo Park’s A Certain Trigger is, without question, one of the strongest debut albums I’ve ever encountered. From the moment it begins, it grips you with an energy that feels both urgent and effortless. The sound is incredibly catchy, blending sharp indie-rock riffs with a rhythm section that propels each track forward. It’s the kind of album that immediately imprints itself on your mind.

What makes A Certain Trigger even more special is its lyrical depth. The words are so vivid, so relatable, that they feel like they could have been pulled from your own experiences. There’s a personal, almost conversational tone to Paul Smith’s delivery that adds an unforgettable authenticity. Tracks like “Apply Some… More

Kate Nash’s Made of Bricks (2007) holds a special place in my heart, and it’s no surprise why. Her unique voice, with its mix of sweetness and rawness, truly captivates me. The way she effortlessly swings between vulnerability and strength in her delivery is nothing short of remarkable. But it’s not just the voice—it’s also her distinctive Cockney dialect that adds an extra layer of charm, making every song feel so personal and grounded in her own life experiences. Tracks like “Foundations” and “Mouthwash” capture her wit and emotional depth so perfectly.

Even her more recent album, while not as groundbreaking as Made of Bricks, still carries that spark of authenticity. It’s not a… More

Review of „Amok“ by Atoms for Peace

⭐️⭐️⭐️⭐️⭐️

From the first pulsing notes of „Before Your Very Eyes…“ to the fading echoes of „Amok,“ this album is a hypnotic masterpiece. Atoms for Peace, a supergroup featuring Thom Yorke, Flea, and Nigel Godrich, crafts an intricate soundscape that feels both futuristic and deeply human.

„Before Your Very Eyes…“ sets the tone with its layered rhythms and Yorke’s haunting falsetto, pulling you into a world of fragmented beauty. Each track flows seamlessly, with highlights like „Ingenue,“ where delicate beats and shimmering synths perfectly complement Yorke’s ethereal voice. Flea’s basslines shine on songs like „Dropped,“ adding a groove that grounds the album’s abstract elements.

The title track „Amok“ closes the… More

A Timeless Gem: Double Image by Monday Michiru

Double Image by Monday Michiru is a stunning blend of jazz, soul, and experimental sounds that feels as fresh and vibrant today as it did upon its release. The album showcases Michiru’s incredible versatility, weaving intricate rhythms with her soulful, expressive voice. Every track offers something unique, from sultry jazz numbers to adventurous genre-blurring experiments, creating an album that’s both cohesive and constantly surprising.

This album holds a special place in my heart, not just for its remarkable music, but for how it entered my life. Over 20 years ago, I “borrowed” a Japan Import copy from a roommate who had accidentally left it behind when he moved out. Reconnecting… More

Violator (1990) by Depeche Mode is a landmark album in electronic music, blending dark, introspective themes with irresistible, anthemic melodies. It showcases the band’s evolution from their earlier, more minimalistic work into a refined, dynamic sound that would define the ’90s. The album’s standout track, “Enjoy the Silence,” remains a timeless classic, not only for its hauntingly beautiful melody but also for its extraordinary music video. Filmed on the roof of one of the World Trade Center towers, the video perfectly encapsulates the song’s theme of isolation and longing, making it a memorable visual experience that complements the track’s atmospheric production.

The album also features other iconic tracks like “Personal Jesus” and “Policy of Truth,” each… More

Elephant by The White Stripes is a powerful album that firmly establishes the duo as one of the most influential rock bands of the 2000s. Released in 2003, the album features their probably biggest success, “Seven Nation Army,” a song that has transcended its original context to become a global anthem, instantly recognizable for its iconic bass line. However, the album is much more than just this hit. Songs like “I Just Don’t Know What to Do with Myself” and “Ball and Biscuit” showcase Jack White’s raw guitar work and Meg White’s solid drumming, capturing the essence of their minimalist, yet profound, style.

Every track on Elephant deserves attention, with its blend of blues, garage rock, and… More

Moon Safari by Air, their studio debut, is a mesmerizing journey into atmospheric electronic music, effortlessly blending ambient soundscapes with smooth, sophisticated melodies. Tracks like the dreamy “La Femme d’Argent” and the iconic “Sexy Boy” capture the essence of the album, creating a laid-back yet engaging vibe that feels both cinematic and intimate. The album’s sound is timeless, with lush production and subtle grooves that invite listeners into a world of sonic exploration.

I was lucky enough to experience Air live at the Ghent Jazz Festival, where their performance was nothing short of spectacular. The Belgian audience’s energy combined with Air’s magnetic presence made for an unforgettable night. The performance was an exhilarating experience, full of… More

Charlotte Gainsbourg’s 5:55 is a stunning album that blends ethereal beauty with understated elegance. Produced by Air, the album’s minimalist arrangements perfectly complement her subtle, haunting vocals. Standout tracks like “5:55” and “The Operation” showcase her ability to convey deep emotion with restraint. The delicate, almost dreamlike quality of “5:55” contrasts with the darker, more urgent tone of “The Operation,” making them key highlights. Her later work, Stage Whisper, continues this exploration of intimacy and vulnerability, further cementing her ability to craft captivating, introspective music. 5:55 remains a solid, more-than-just-comforting masterpiece in her discography.

MTV Unplugged in New York is an acoustic masterpiece that captures Nirvana at their most vulnerable and powerful. The album’s marvelous atmosphere is built on the intimate setting of the performance, which allows Kurt Cobain’s raw emotion to resonate in every note. Songs like “Pennyroyal Tea,” “On a Plain,” and “Lake of Fire” take on new depth in this stripped-back environment, showcasing the band’s incredible range. The cover versions—particularly the poignant “Where Did You Sleep Last Night”—add further emotional weight, blending perfectly with Nirvana’s haunting sound. This album is a true testament to their versatility and legacy.

Review of Torso by Soap&Skin

With Torso, Soap&Skin once again proves her mastery in transforming familiar songs into deeply personal interpretations. This cover album is a bold and hauntingly beautiful journey through reimagined classics, all filtered through her unique artistic lens.

The album opens with Mystery of Love (originally by Sufjan Stevens), where her ethereal voice brings a tender intimacy to the already poignant track. Voyage, Voyage, previously explored on Narrow, returns with even more depth, its melancholic undertones elevated in this version.

Her take on David Bowie’s Girl Loves Me is daring and hypnotic, pushing boundaries with its raw intensity. And then there’s What’s Up, the iconic anthem by 4 Non Blondes—… More