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4/5 stars

Portishead’s Dummy is nothing short of a masterpiece and one of the strongest debuts in music history. Released in 1994, it helped define the trip-hop genre with its cinematic blend of moody beats, jazzy textures, and Beth Gibbons’ hauntingly beautiful voice. The album doesn’t just stand the test of time—it feels as vital and moving today as it did 30 years ago.

Of course, Dummy features the timeless classic “Glory Box,” a track so effortlessly captivating that it’s no wonder it became their signature song. Its sultry, blues-infused vibe still sends chills down the spine with every listen. But the album’s brilliance goes far beyond the hits. Tracks like “Strangers,” with its raw intensity, and “Biscuit,” a darkly experimental gem, showcase Portishead’s talent for creating immersive, otherworldly soundscapes that keep you coming back for more.

While Dummy is undoubtedly a landmark album, I have to admit that I slightly prefer the band’s second, self-titled effort for its deeper emotional weight and daring experimentation. Still, Dummy remains an exceptional record—a debut so strong that it not only defined a genre but also set a bar that few have been able to reach since. For anyone discovering it for the first time or returning to it after years, the experience is nothing short of breathtaking.

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