Konstantin

Depeche Mode have done it again. With Memento Mori, they deliver an album that is surprisingly strong and proves they’ve lost none of their brilliance over the years. It’s a mature work that feels incredibly cohesive and well-balanced – accessible, yes, but in the best way possible. There’s not a single misstep, nothing jarring or out of place, just music that captivates and resonates deeply.

This album carries a particular weight, as it’s the first release following the passing of founding member Andy Fletcher in 2022. His absence is profoundly felt, but Memento Mori is not a record of mourning; it’s a celebration of resilience and creativity, a tribute to a legacy that continues to thrive.… More

The soundtrack to Sofia Coppola’s Marie Antoinette is nothing short of spectacular. It opens with the vibrant “Hong Kong Garden” by Siouxsie and the Banshees, immediately setting the tone with post-punk brilliance. Bow Wow Wow follows close behind with “Aphrodisiac,” continuing the edgy, British 80s vibe that runs through much of the album.

What makes this soundtrack so remarkable is its sheer energy. Every single song feels alive, pulsing with a defiant spirit that perfectly complements Coppola’s bold reimagining of the French queen’s story. It doesn’t just underscore the film—it elevates it. Tracks like “Natural’s Not In It” by Gang of Four or “I Want Candy” by Bow Wow Wow blend effortlessly with the… More

Bow Wow Wow’s Girl Bites Dog: Your Compact Disc Pet is a lively and intriguing collection of tracks that captures the band’s unique blend of new wave and post-punk energy. With songs like “Louis Quatorze,” “Mile High Club,” and their take on “Fools Rush In,” the album exudes a playful irreverence that feels distinctly British and unmistakably 80s.

My introduction to Bow Wow Wow came through Sofia Coppola’s Marie Antoinette soundtrack, where their track fit perfectly into the film’s eclectic mix of modern and historical aesthetics. It’s a connection that gave me a new appreciation for their sound—and honestly, it’s a great movie I’ll happily revisit soon.

The album’s highlights lie… More

Fever Ray’s self-titled debut album from 2009 is a stunning work that solidifies its place as one of the most remarkable debut albums ever created. While it undeniably carries echoes of Karin Dreijer’s previous work with The Knife, this album begins to carve out a new, hauntingly personal sonic identity.

From the opening moments to tracks like “Triangle Walks,” the record immerses listeners in a rich, atmospheric landscape of dark, icy electronic beats and Dreijer’s unmistakable vocals. There’s a hypnotic intimacy to these songs, an emotional depth that feels simultaneously raw and otherworldly. It’s the kind of album that doesn’t just accompany your day—it transforms it.

The visual side of Fever Ray is… More

Billie Eilish’s WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? may have been released some years ago, but it remains a landmark debut and a brilliant statement of individuality. There’s something captivating about how this album balances eerie minimalism with rich, bass-heavy production—an atmosphere that feels both intimate and vast. It’s clear why Billie Eilish earned so much Attention for her art: unlike many “stars” I struggle to relate to, her music is inventive, raw, and speaks on its own terms.

The moment I revisited the album with my new SONOS subwoofer, I was stunned. Tracks like bury a friend or you should see me in a crown reveal an entirely new depth with proper… More