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4.5/5 stars

Fever Ray’s self-titled debut album from 2009 is a stunning work that solidifies its place as one of the most remarkable debut albums ever created. While it undeniably carries echoes of Karin Dreijer’s previous work with The Knife, this album begins to carve out a new, hauntingly personal sonic identity.

From the opening moments to tracks like “Triangle Walks,” the record immerses listeners in a rich, atmospheric landscape of dark, icy electronic beats and Dreijer’s unmistakable vocals. There’s a hypnotic intimacy to these songs, an emotional depth that feels simultaneously raw and otherworldly. It’s the kind of album that doesn’t just accompany your day—it transforms it.

The visual side of Fever Ray is equally compelling. The artwork perfectly mirrors the surreal and unsettling mood of the music, enhancing the experience as a whole. This attention to detail elevates the album into a fully-realized artistic statement, blending sound and imagery seamlessly.

Having had the privilege of attending a live show by The Knife in Berlin years ago, I can still vividly recall the unique energy and atmosphere Karin and Olof Dreijer created together. Fever Ray as a solo project doesn’t stray too far from that brilliance on this debut, making it a must-listen for anyone who appreciates their work.

A gripping, emotional, and immersive album, Fever Ray is a masterpiece that stands the test of time. If you haven’t yet explored this debut, you’re in for an unforgettable experience.

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