Niklas Pivic

This is a nice and bubbly electronic album but unlike Minus's debut, Acts of Rebellion, this album isn't as fun, melodic, nor innovative. Instead of revolution, I feel consternation setting in. Minus is still a strong artist and I can't wait to hear her next album!

It feels like the cover of this collection says more about the album than is intended: the cover is likely AI generated.

I've always liked Röyksopp, and there are times during this album where they shimmer and produce stuff that's lovely, but this feels a bit phoned-in.

The spoken segments feel à la The Orb's ventures in 'Little Fluffy Clouds' and some of the songs just feel like watered-down versions of the originals, which are found in earlier releases.

Röyksopp can do just about anything in electronic dance music, so this feels like a bad interim-album move. Fingers crossed that they jump back soon.

The last piece, the nearly-one-hour-long spoken-word piece felt like a thing of its time... From the 'hip' studio technician down to the British-English ultra-posh man who constantly spoke down to the female interviewer... Wow.

I love Rakim's work with Eric B. I love parts of what he did solo, until now.

This album consists of:

• God worship

• Featured artists worshipping Rakim

• Rakim rapping some mathematics and life stuff

• Featured artists rapping about b!tches, money, clothes

A fairly short bunch of modern experimental classical music compositions that make me more interested in this young Serbian composer. This is some raw stuff that breathes. The composer isn't afraid to use low volumes to achieve grand results.

A nice electronic trippy-dubby album that suited me fine while working and reading.