Earlier releases seemed to be following a similar path to TAGABOW and the more experimental end of noisy indie rock. This is just a great rock record with great songs. "How Far" and "Ridgeline" stand out for me. Come to London please.
This album is disorienting and disturbing in the best possible way. They meld eerie electronics, found sounds, snippets of hauntology ala “Witch Cults of the Radio Age” with occasional noise rock bursts and catchy pop vocals.. Like oneohtrix point never, forever scanning the FM radio band of hell.