ASTROWORLD

by

Travis Scott

Aside from containing the only song I’ll ever tolerate Drake on, Astroworld has a lot going for it. While Travis’ previous offering introduced me to his antics, Birds in the Trap always left me feeling somewhat empty and unfulfilled. That’s not the case with Astroworld. From the stunning opener to the intricate beauty of Stop Trying To Be God, there are many sights to see, and at times it’s difficult to comprehend how the same man and his team can excel on all fronts simultaneously.

While Travis has never been a rapper’s rapper, judging him – or Astroworld – solely in that context feels a bit unfair. And even if his biggest hits portray him as a man with surprisingly little to say, the record’s 17 tracks offer equally surprising depth and layers. Much of his genius is borrowed from talented collaborators, whether in the form of uncredited vocal appearances or stellar production, but never at the expense of Travis. Perhaps his greatest power is being able to stand tall next to the cavalcade of talent, showing all of his qualities proudly and unashamedly. Ultimately, it’s this showcase of attractions that makes me return to this masterpiece time and time again.