Boldy James is at Pusha T levels of mastery when it comes to crafting crack era soundscapes. Cadence, flow, subject matter, entendres for days. However, the thing that keeps sticking with me from this record aside from Boldy's quotables[1] is Conductor Williams production. Every track, every sample, every cut, every kick, is IMPECCABLE. Conductor is producer of the year in my book.

Favorite tracks:
Terms and Conditions
Flying Trapeze Act
St. Juliana
Off-White Lumberjack

[1]: I mean one of the first bars is "Made it back in one piece, eighty racks in one week off a field goal / I kicked it with a three and it still sold", and that's not nearly the best on the project.